1
|
To America from her Fathers
|
1990
|
Choral Work
|
For voices, piano and hand bells
|
9
|
no
|
1
|
None
|
*Handbell part is optional
|
Separate Lyrics sheet included
|
|
2
|
After Dark
|
Picardie Court: 1989, 1997
|
Vocal number
|
2 voices (male/female) and piano. P/v score
|
1989 version: 7, 1997 version: 13
|
no
|
4
|
1997 version: To Dr. and Mrs. George Bell
|
Fred and Fredena Duet from " The Wonderful Witch of Oz"
|
One copy of score in back is incomplete. Missing pgs 6-7
|
1997 version: 1:45
|
3
|
Alarm Bells
|
Composer
|
Choral Work (SATB, and reh. piano)
|
Full score
|
11
|
no
|
2
|
Richard Klausli and the State Singers
|
Poem: Edgar Allan Poe
|
2 copes. One on a velum-like paper, and other on regular paper.
|
2:50
|
4
|
All of God's Children
|
Picardie Court, 1993
|
Choral: 3 voices and piano
|
Full score
|
6
|
no
|
1
|
Katy and Joe Lawson
|
Editoral Revisions in Red
|
Jubilee Song. Arr. By W. De Pue Edited by Dr. Mark Munson
|
2:00
|
5
|
Alexander's Lullaby
|
Picardie Court, 1999
|
SATB a capella (reh. piano)
|
Full score
|
6
|
no
|
2
|
Alexander DePue
|
Part B is based on an 1899 tune entitled, "Follow On," by Robert Lowry
|
Scores: 1 original, 1 copy
|
2:52
|
6
|
Almighty God, Unto whom all hearts are open
|
Picardie Court, 1999
|
Choral: SATB a capella (reh. Piano)
|
Full score
|
7
|
no
|
3
|
Judy R. Miller
|
|
Scores: 1 original manuscript, 2 published copies
|
|
7
|
America's Day of Wrath
|
Picardie Court, 2002
|
SATB (piano redux)
|
Full score
|
9
|
no
|
1
|
|
editorial suggestions in pencil
|
poet: unknown. Work based on Dies Irae
|
2:50
|
8
|
America
|
composer
|
SATB with piano, or Brass Septet
|
Full Score and parts
|
Version 1: 9, Version 2: 12
|
yes
|
2
|
The Huntington High School Choir Andrew Housholder, Dir.
|
Brass Ens verions: 3 trpts, Horn, T-Bone and Tuba (or, T-Bone)
|
Samual A. Ward, arr. W. De Pue. Both scores and parts in manuscript. Katherine Lee Bates?
|
|
9
|
An American Choral Rhapsody
|
composer, 1976
|
Choral: SATB and Bass Narration
|
Full Score
|
22
|
no
|
3
|
The Bach Society of Baltimore, Maryland
|
Written for the American Lutheran Church Convention, Oct. 9, 1976
|
*Individual movements within work are written by others, but arranged by W. DePue.
|
|
10
|
The American Men
|
composer
|
Choral: TB
|
Full Score
|
3
|
no
|
1
|
Bowling Green State Univ. Men's Chorus
|
|
Score is in original manuscript
|
|
11
|
The Animal Fugue
|
composer, 1966
|
Choral: For 4 part spoken chorus, or for 4 people
|
Full Score
|
8
|
no
|
5
|
|
1 copy of score is one one page reduced for copy purposes
|
|
|
12
|
Annabel Lee
|
composer, 1987
|
Vocal work for Tenor, Baritone/BassVoices and French Horn
|
Full Score and Horn part
|
9
|
yes
|
2
|
Herbert Spencer
|
Poem: Edgar Allan Poe
|
2 copies of score and parts: 1 in manuscipt, other is copy of manuscript
|
|
13
|
April is in my Lover's Face
|
composer
|
Choral: SAATB (Madrigal)
|
Full score
|
10
|
no
|
2
|
|
|
Original score was done on velum type of paper. Fragile. 1 score oversized.
|
|
14
|
Ballade
|
composer, 1988
|
solo piano
|
part
|
|
|
*4
|
Dr. Roy Underwood
|
*original manuscipt included and 3 copies
|
Part is in original manuscript
|
|
15
|
The Bird, Frog and Tree Club
|
composer, 2005
|
Musical? 2 versions: Full Orch and Characters AND SATB Chorus, Organ and Characters
|
Full scores and narration scripts
|
|
yes
|
multiple (see collection)
|
|
Orchestral Version has separate movements (Bird, Frog and Tree) and can be performed separately.
|
Letter of Coorespondence included, Manuscipts (vocal, pno parts) included. Scraps from work and Sasquatch included in sealed envelope. *CD of performance included in collection.
|
|
16
|
The Birdwatcher
|
composer, 1996
|
Chamber Music: Violin (or, flute), Soprano (or, Tenor) and Harpsichord (or, piano)
|
full score and parts
|
11
|
no
|
2
|
|
one copy of score has edit markings in it
|
Harpsichord editing done by Vincent Corrigan
|
|
17
|
Blest Be the Tie that Binds
|
composer
|
Choral
|
full score
|
4
|
no
|
1
|
|
Copy of hymn "Just as I Am, Thine Own to Be was originally attached to this work.
|
|
|
18
|
Boys, Stay Away!
|
composer
|
Choral: for male chorus?
|
full score
|
5
|
no
|
1
|
|
Score is in original manuscript
|
|
|
19
|
The Brooklet
|
DePue
|
Solo Piano
|
part
|
3
|
yes
|
1 part (original manuscript)
|
|
|
|
|
20
|
Brother's In Singing
|
DePue
|
Voice
|
score (1 page sketch in manuscript)
|
1
|
no
|
|
|
|
date: 8-11-2003
|
|
21
|
Burgundian Carol
|
composer: 2 versions: original unknown, published copy: 1989
|
Choral: (SATB) Four part chorus of mixed voices, with opt. piano
|
full score
|
manuscript copy: 8, published copy: 11
|
|
2
|
manuscript: David Harden, published copy: Gene Dybdahl
|
Traditional Carol: Words and Arr. By W.De Pue
|
Scores: One manuscipt, and one published copy.
|
|
22
|
Burlesque
|
composer
|
Chamber Music: Violin and Piano
|
full score
|
6
|
no
|
1
|
|
|
|
5:30
|
23
|
The Burning Bush
|
composer, Picardie Court, 2007
|
Solo Lit: For Baritone Voice and piano
|
full score
|
manuscipt copy: 22, published copy: 17
|
no
|
3
|
Andreas Poulimenos
|
3 full scores: 1 score in manuscript, 2 copies. 4th copy of score is included, but it's an incomplete set.
|
Holy Bible
|
10:30
|
24
|
Byron's Song
|
composer, 1993
|
Solo Lit: For Bariton or Tenor) and piano
|
full score
|
4
|
no
|
*8*
|
Dennis Kratzer
|
*Song is in 3 different keys: Ab Major for Tenor Voice (2 copies), and Gb Major for Baritone Voice (3 copies) and Eb Major for Baritone Voice (3 copies)*
|
George Gordon Lord Byron
|
|
25
|
Cain
|
composer
|
Solo Lit: Tenor Voice and piano
|
full score
|
3
|
|
1
|
Rex Elkum
|
Score is in original manuscript
|
|
|
26
|
The Call
|
composer, 1975 Picardie, 1999
|
2 versions: SATB, opt piano (or ogran) AND Tuba and piano
|
Full Score and parts
|
2 pages and 3 pages
|
yes
|
1975 choral: 6, 1975: tuba 2, 1999 pub: 2
|
John and Ruth Ganser
|
work arr. By Wallace DePue, music by R. Vaughn Williams and lyrics by George Herbert
|
Letters of Coorespondence included
|
vocal version: 2:33
|
26
|
A Call from Home
|
Picardie, 2002
|
Unaccomp. Solo Violin
|
part
|
7
|
yes
|
1
|
|
|
|
|
27
|
Campaign Song: Ted Kallman
|
composer
|
voice?
|
part
|
1
|
yes
|
2
|
Ted Kallman
|
Letter of coorespondence to Ted Kallman included
|
|
|
28
|
The Camptown Races
|
composer
|
male chorus (TTBB)
|
full score (reh piano only)
|
10 and 15
|
no
|
3
|
RichardMathey and the BGSU Men's Chorus
|
Stephen Foster. Arr. By Wallace DePue.
|
3 copies of score: 1 in manuscript, 2 copies. 3rd copy of score is missing page 15 from set.
|
|
29
|
A Chapel Prayer
|
composer, 1992 W.B., 1985
|
choral: SATB and piano (for reh.)
|
full score
|
5 and 6
|
no
|
*multiple copies and originals
|
Clintondale HS Choir of Mount Clemens, MI
|
3 copies of score, 2 large copies and 1 small copy on velum-like paper.
|
PC-16
|
|
30
|
A Chapel Prayer/Choir?
|
Picardie
|
choral: SATB a capella (pno redux)
|
full score
|
4
|
no
|
2
|
Andrew Markopoulos
|
2 copies of score: 1 original and 1 copy
|
|
|
31
|
A Child's Prayer on Xmas Eve
|
composer
|
choral: SSA
|
full score
|
1
|
no
|
3
|
to our friends and loved ones
|
|
4 separate copies of the DePue Family Album 2007 enclosed. Family Album 2007 notes enclosed on back of sheet music.
|
|
32
|
Choral Work: Four Voice Chorale
|
composer
|
choral
|
p/v score
|
3
|
no
|
1
|
|
1 manuscript copy
|
|
|
33
|
The Chistmas Call
|
composer
|
SATB and piano (reh)
|
full score
|
1
|
no
|
7
|
|
1 copy **opt percussion inst. Should be played by designated people in choir
|
|
|
34
|
A Christmas Card (to Peoria)
|
Picardie, 2000
|
SATB, organ or piano
|
full score
|
|
no
|
3
|
The Peoria Area Civic Chorale
|
3 copies of score: 1 manuscript, 3 published copies
|
|
6:25 w/ repeat, 3:20 w/o repeat
|
35
|
Christmas Eve
|
Picardie, 2000
|
SATB, piano, finger cymbals, small triangle, suspended cymbals, hand held shell drum
|
full score
|
5
|
no
|
1
|
|
1 published copy: Perc. Parts are in score
|
|
|
36
|
Christmas for the Living Lord
|
Picardie, 2001
|
SATB and optional piano
|
full score
|
6
|
no
|
1
|
|
|
|
|
37
|
A Christmas Processional
|
composer, 1991
|
SATB
|
full score
|
2
|
no
|
1
|
|
*Portable Perc. Instruments may be used to ad lib.
|
|
|
38
|
Christmas Time
|
|
Perc- Metalphones, Glockenspiel, Tuned Bells, and Handclappers
|
full score
|
2
|
no
|
1
|
|
|
|
|
39
|
Chromatophore
|
composer, 1998
|
Chamber Music: 2 Violins, Bsn, and Piano
|
full score and parts
|
full score: 11
|
yes
|
1 set
|
The Christophersons
|
|
original parts are fragile
|
|
40
|
Come Thou Long Expected Jesus
|
unknown/arr. W. DePue
|
SATB and piano (reh)
|
full score
|
6
|
no
|
2
|
|
|
|
|
41
|
Concerto No. 1 in A minor
|
J.S. Bach/ arr. W De Pue, 1992
|
Chamber Music: 3 Violins
|
full score
|
8
|
no
|
1
|
Michael Moore and the Arts Unlimited Program
|
|
|
|
42
|
*Concerto for Perc. + Orchestra
|
composer
|
Full Orchestra
|
*full score and parts: 1 complete set. Maybe 2 or with revisions. Also Mvts 1 and III only (published) with markings.
|
|
yes
|
1 full score, 2 sets of part for Mvt. III only
|
1) Oscar, 2) Dora, 3) Lillian
|
|
Assorted wind parts from Mvt II are included, but not full set.
|
Mvt I: 5:15, Mvt II: 5:20, Mvt III: 6:30
|
43
|
Concerto for Violin
|
composer, 1/19/1993
|
Chamber Music: Solo Violin and piano
|
full score
|
8+1
|
no
|
1: mauscript copy
|
|
|
Sketch sheet of themes used in musical work are included with set.
|
|
44
|
Coronation
|
Oliver Holden/arr. W. DePue, 1991
|
SATB, Organ and Brass Quintet (optional)
|
full score and quintet parts
|
|
yes
|
2 complete sets
|
Parkview United Methodist Church
|
Program notes and a condensed full score in manuscript are included in set.
|
|
|
45
|
A Country Dance
|
Musik's Handmaiden, Part I 1678/arr. W. DePue
|
*SATB and piano (reh)
|
full score
|
6
|
no
|
2
|
|
*Hand written program notes and lyrics sheet included in set. Optional Violin part can be used.
|
|
|
46
|
Credo
|
composer: 1994, 2000
|
2 SATB Choirs and piano (reh)
|
full score
|
|
no
|
6: 1 original manuscript, 5 copies (contain markings and notes)
|
Paul Sahuc and the UMD Concert Chorale and Fostoria HS Choir Gum Schwepe, Director
|
|
|
|
47
|
A Creed
|
composer, words by Edwin Markham
|
TTTBB and piano (reh)
|
full score and separate piano part
|
6
|
yes
|
2 scores, 1 piano part
|
Mr. and Mrs. Sterling Ellsworth
|
|
part is fragile
|
|
48
|
D minor Passacaglia
|
composer, 5/6/63
|
Solo Piano
|
part
|
9
|
yes
|
1 part: manuscript
|
|
|
|
|
49
|
The Disciple Variations (from The Wonderful Witch of Oz)
|
Picardie, 1997
|
Solo Organ
|
part
|
5
|
yes
|
2 parts published
|
Nancy Wolcott
|
|
Wonderful Witch of Oz program notes included
|
4:00
|
50
|
La Donna E Mobile
|
G. Verdi/arr. W. DePue Picardie, 1999
|
SSAA a capella voices and tenor solo
|
full score
|
manuscript copy: 6, published copy: 7
|
no
|
4 (2 manuscript and 2 pub. copy) originals have markings/corrections
|
|
|
|
3:00
|
51
|
The Death of Autumn
|
composer
|
WW Quintet (Fl, Ob, 2 Clarinets, Bsn)
|
full score and parts
|
4
|
yes
|
1 complete set
|
|
|
|
|
52
|
Dedication
|
Holy Bible/Picardie, 2004
|
Bass-Baritone Voice and Organ, OR String Quartet
|
full scores only
|
|
no
|
3 copies of voice/organ score version, 1 copy of SQ score version
|
|
from The Holy Bible: "The Song of Ruth"
|
For Bass, Baritone Voice and Organ or String Quartet
|
|
53
|
Dans Taranesc
|
C. Dimitrescu/arr. W. DePue, 1991, 1996
|
Chamber Music: 3 Violins
|
Full score and Violin 1 parts only both contain original markings
|
|
*no
|
1991 set and 1996 set
|
|
|
*2 Violin I parts only
|
|
54
|
Decussante
|
W. DePue, 1987
|
Chamber Music: Double Brass Quintet, or 2 separate Brass Quintets
|
3 full scores, 2 redux scores/sketches
|
40
|
no
|
3 full scores (1 is original manuscript), and 2 redux scores (original manuscript markings)
|
Bowling Green Faculty Brass Quintet
|
|
May be performed as a Double Brass Quintet, or played separately by one BQ)
|
|
55
|
Destiny (Frottola)
|
composer
|
SATB
|
p/v score
|
|
yes
|
1 copy in velum-like paper (fragile)
|
|
|
|
|
56
|
Dorian Waltz
|
DePue
|
Orchestra
|
Full score ans 1 set of parts
|
|
yes
|
original set w/ markings
|
|
|
|
|
57
|
The Dulcimer's (Fiddler's) Fair
|
Picardie, DePue. Hammer Dulcimer Editor: Mark Wade
|
Chamber Music: Hammer Dulcimer and Piano
|
Full score w/Hammer Dulcimer inserts
|
|
yes
|
1 copy
|
|
|
|
|
58
|
El Dorado
|
Edgar Allan Poe/Wallace DePue
|
Ch. Music: Voice and Piano
|
Full Score
|
4, 5
|
no
|
4 scores (1 original manuscript, 3 copies)
|
Rex and Mona Eikum
|
|
|
|
59
|
Earth has No Sorrow that Heaven Cannot Heal
|
Picardie, 1999
|
SATB a capella voices (opt. piano)
|
Full Score
|
6
|
no
|
2
|
|
Poet: Unknown
|
PC-32
|
2:09
|
60
|
Easter
|
composer
|
2 SATB Choirs a capella
|
Full Score
|
7
|
no
|
*1 full score (original manuscript) sketches included
|
|
|
sketches in manuscript enclosed with set
|
|
61
|
Easter Bells
|
composer, Mar. 17, 1953
|
SATB a capella
|
Full score
|
1
|
no
|
1 full score (manuscript)
|
|
|
|
|
62
|
Ecclesiastes 12
|
composer, 1989
|
SSAA and perc.
|
Full Score
|
|
no
|
5 full score copies (1 in manuscript)
|
Bowling Green State Univ. Women's Chorus, R.D. Mathey, Dir.
|
|
Program Notes and Errata sheets enclosed in set
|
4:45
|
63
|
Eight Textures of Love
|
Picardie, 1994
|
Ch. Music: Baritone voice and Piano
|
Full Score
|
|
no
|
1 full (bound) score
|
|
|
|
*Time durations included at the top left corner of each musical selction.
|
64
|
An Enchanting Waltz
|
Henry Purcell/words and arr. by W. DePue
|
SATB and piano (reh)
|
Full Score
|
5
|
no
|
4 scores (1 original manuscript and 2 copies) sketches attached to a copy in set
|
|
|
|
|
65
|
An Etude for Large Hands
|
composer, 10/28/54
|
solo piano
|
part
|
3
|
yes
|
2 parts in original manuscript. 2 versions?
|
|
|
|
|
66
|
An Evening Song for Jeannie
|
W. DePue, 1990 Picardie, 2001
|
Carolon Bells
|
part
|
2
|
yes
|
3 parts. 1 (1990), 2 (2001)
|
Jeannie Hyer
|
Poem enclosed: An Evening Song (to Jeannie)
|
notes markings included on parts
|
|
67
|
Prelude and Chorale in F minor
|
composer
|
solo piano
|
part
|
5
|
yes
|
1 part
|
|
|
part is fragile
|
|
68
|
Fair Phyllis
|
composer
|
STB (Madrigal)
|
Score
|
2
|
no
|
1 score
|
|
|
score is fragile
|
|
69
|
Fairer Than Fair
|
composer
|
*Ch. Music: Voice and Piano
|
Score
|
1
|
no
|
*1 incomplete score: Page 1 only)
|
|
|
|
|
70
|
The Fatherland
|
Trad. German tune/Arr. W. DePue, 1986
|
*Ch. Music: Violin (or 2 wind instruments), Yodeler and TTBB
|
Full Score
|
3
|
no
|
2 copies of score
|
|
|
*Yodeler part is optional
|
|
71
|
The Fiddler and the Dragon (Narration)
|
Picardie, 2008
|
Ch. Music: Violin and Piano
|
Full (Bound) Scores
|
|
no
|
7 copies of score (includes monologue with markings)
|
|
|
Program Notes enclosed
|
|
72
|
The Fiddler's Contest for Wind Ensemble/Band (*In 4 mvts.)
|
Picardie, 2000, 2006
|
Large Scale Work: For Solo Violin and Orchestra, Band, or Piano
|
Multiple full Scores and sets of parts
|
|
yes
|
*1 Bound Full Score of all 4 Mvts, Violin/Piano scores. Multiple copies of score mvts with markings and revisions. Movements can be performed separately for performance.
|
|
*Mvts: Yangey's Hoedown, An Old Fashioned Waltz, The Paul and Patti Polka and The Fidder's Fare
|
Letter of Coorespondence and Error Notes enclosed
|
|
73
|
Fifteen Variations for Piano
|
W. DePue, 1982
|
Solo Piano
|
part
|
|
yes
|
1 bound score
|
|
|
|
|
74
|
5 or 10
|
Picardie, 2009
|
Ch. Music: Brass Quintet
|
Full Score and parts. Piano redux included in score
|
|
yes
|
1 complete set
|
|
2 quinet pieces included in work. See specific notes on top cover of full score.
|
|
4:45
|
75
|
Fugue for a School Room
|
composer
|
SATBC
|
Full Score
|
5
|
no
|
1 copy of score (Original manuscipt)
|
|
|
|
|
76
|
Flower in the Carmmied Wall
|
Alfred Lord Jennyson/W. DePue
|
SAATB (Madrigal)
|
Full Score
|
3
|
no
|
1 copy of score (fragile)
|
|
|
|
|
77
|
Fugue in A Major for Keyboard
|
composer
|
Piano Solo
|
part
|
|
yes
|
3 copies (all original manuscripts)
|
|
|
|
|
78
|
Fugue in E Major for Keyboard
|
composer
|
Piano Solo
|
part
|
2
|
yes
|
1 copy (original manuscript, with sketches and notes done by composer on the part.)
|
|
|
|
|
79
|
Gesu Bambino
|
Arr. DePue
|
String Quartet
|
1 full score
|
|
yes
|
original manuscript score
|
|
|
|
|
80
|
Give/Gimme Me That Old Time Religion
|
Traditional/Arr. W. DePue, 1992. Picardie, 1999
|
SATB and Solo Tenor Voice
|
full score
|
9
|
no
|
3 copies of score
|
R.D. Mathey and the BGSU a capella Choir
|
|
Letters of Coorespondence included PC-35
|
3:09
|
81
|
Give Me Your Tired, Your Poor
|
Irving Berlin/Arr. W. DePue
|
SATB and piano
|
score
|
1
|
no
|
1 manuscript (incomplete score set?)
|
|
|
|
|
82
|
Glory to God
|
W.DePue, 1983
|
SATB and piano redux
|
full score
|
6
|
no
|
1 published score (copy)
|
Christopher Hamady
|
|
|
|
83
|
Glory to God in the Highest
|
Picardie, 1999
|
SATB a capella
|
full score
|
4
|
no
|
2 copies (original and copy)
|
Dorothy and Elmer Kallman
|
|
|
:45
|
84
|
Golden Bells
|
E. Allan Poe/Wallace DePue
|
SSAATTBB with Piano
|
full score
|
16
|
no
|
1 copy (in original manuscript)
|
|
|
|
|
85
|
Good Old Goober Peas!
|
P. Nutt, A. Pindar/Arr. W. DePue
|
TTBB Quartet or Chorus and Jug Band
|
5 scores
|
|
no
|
5 copies (1 vocal and 1 full score with piano)
|
|
|
|
|
86
|
Good Morning April
|
W. DePue
|
SATB a capella
|
full score
|
3
|
no
|
1 copy
|
|
|
|
|
87
|
A Great Light
|
W. DePue, 1999
|
SATB and piano (reh)
|
full score
|
10, 16
|
no
|
1 original manuscript with directions, 1 bound score, 2 copies of score, copies on vellum-like paper
|
original: To Normand Lockwood, published copies: To the Paul B. Patterson Family
|
|
PC-81
|
|
88
|
Greatheart
|
Picardie, 2007
|
SATB and Piano
|
full score
|
12
|
no
|
1 published score (copy)
|
|
John Oxenham
|
|
|
89
|
Haman
|
W. DePue
|
Ch. Music: Tenor and Piano
|
full score
|
|
no
|
2 original manuscript scores
|
|
|
|
|
90
|
Hosanna
|
Picardie, 1999
|
Large Work: mixed Chorus and piano, or Brass Quartet and Perc.
|
full score and parts
|
|
yes
|
1 set of parts
|
|
|
|
|
91
|
Harry Wuzanelf
|
Picardie, 1996
|
SATB and piano
|
full score
|
11
|
no
|
3 copies of score
|
|
|
|
|
92
|
Hanukkah
|
Picardie, 1996
|
SATB and piano
|
full score
|
10
|
no
|
4 copies: 2 original, 2 copies
|
Illanna Kennell
|
Editor: Dr. Mark Munson
|
PC-6 SATB, PC-6A 2 voices (any combination) and piano
|
|
93
|
Hava Nagila
|
Picardie, 1995 (Israeli Folk Song/Arr. W. DePue)
|
*3 voices, piano and tambourine (see note of manuscript copy)
|
full score
|
9
|
no
|
8 copies: 1 in orig manuscript
|
Chris and Brian Murphy
|
Editor: Dr. Mark Munson
|
*original manuscript scored for Sop, Alto and Baritone voices. Letter of Coorespondence included in set.
|
2:25
|
94
|
He's Gone Away
|
Southern Mountain Song/Arr. W. DePue
|
For Voice and Piano
|
full score
|
2
|
no
|
1 copy
|
Richard and Ethel Mathey
|
|
|
|
95
|
The Highwayman
|
Picardie, 2011
|
Ch. Music: Cello, piano and narrator
|
full score and part
|
|
yes
|
1 full set full score, cello part, narration included)
|
Diana Smith
|
Narration( Poem): Alfred Lord Noyes
|
Correspondence included
|
|
96
|
How I Love You…
|
An Old Irish tune/Arr. W. DePue, 1991
|
Ch. Music: Soprano, Baritone and piano
|
full score
|
5
|
no
|
3 copies of score
|
Paul and Rachel Sahuc
|
|
|
|
97
|
Hear Our Prayer
|
W. DePue
|
SATB and piano (reh.)
|
full score
|
9
|
no
|
3 scores (1 original manuscript and 2 copies)
|
|
|
|
|
98
|
The Hero and the Fool
|
W. Depue
|
Poem/Nattation
|
bound script
|
7
|
no
|
1 original bound script with pencil editing
|
|
|
|
|
99
|
Holy, Holy, Holy!
|
John B. Dykes 1861/Arr. W. DePue
|
SATB
|
full score
|
6
|
no
|
1 copy
|
|
Text: Reginald Gruber pub, 1826
|
|
|
100
|
Horns of Glory
|
DePue, 1979
|
For Horn Quintet
|
full score and parts
|
|
yes
|
4 Full Scores manuscript and 2 sets of parts (Original and copy)
|
The Virginia Center for the Creative Arts
|
Contest work submitted for the International Horn Society's Competition Concert: 1979
|
Letters of Correspondence included, Details of HIS Contest included
|
|
101
|
How Do I Know?
|
DePue
|
Unknown: Full score sketches
|
original manuscript score
|
2
|
no
|
1 copy original manuscript
|
|
|
|
|
102
|
Der Jager Abschied (The Hunter's Farewell)
|
F. Mendelssohn-Bathody, Arr. W. DePue Picardie, 2004
|
SATB and piano (redux)
|
full score
|
5
|
no
|
2 copies of score
|
|
Text: J.V. Eichendorff, translator: Eva Lande, Edited by William P. Schwepe
|
|
|
103
|
I Never Saw a Moor
|
DePue, 1963
|
SSAATB Madrigal
|
full score
|
3
|
no
|
2 bound copies, 3 copies in vellum-like paper
|
Maud Ochs
|
Text: Emily Dickinson
|
1 of the bound copies has markings in it.
|
|
104
|
Iron Bells
|
DePue
|
SATB and piano (reh)
|
full score
|
9
|
no
|
4 copies of score, 1 bound copy
|
John E. Jorn
|
|
|
|
105
|
I Find My Rest in Thee
|
DePue, 1994
|
SATB and piano/organ
|
full score
|
3
|
no
|
1 copy
|
Good Shepherd Lutheran Church
|
|
Copy of Work: Choral Prelude enclosed on backside of score
|
1:07
|
106
|
In Meadow's Fair
|
Picardie, 2003
|
SSAATTBB a capella
|
full score
|
10
|
no
|
4 copies of score
|
Mrs. Kurt Lande, and the Emergency money Fund of Butler County, Ohio- 2003
|
Editor: William P. Schwepe
|
Text: Author unknown
|
2:14
|
107
|
I Think it's Christmas!
|
DePue, 1991
|
SATB and piano
|
full score
|
2
|
no
|
1 copy
|
|
|
|
|
108
|
I Want to be in Movies!
|
Picardie 2002
|
Male Chorus (TTBB) piano redux
|
score with markings
|
|
no
|
1 score
|
|
|
PC-98
|
2:00
|
109
|
In Memoriam A.H.H.
|
Picardie 2007
|
SATB and piano
|
*score and lyrics sheet with markings
|
|
no
|
*1 bound score with markings lyrics sheet included
|
|
Text: Alfred Lloyd Tennyson
|
PC-125
|
5:45
|
110
|
Invention in E minor
|
DePue
|
Solo keyboard
|
part
|
2
|
yes
|
1 copy in original manuscript
|
|
|
|
|
111
|
Is It Really True?
|
DePue, 1992
|
SATB and piano (redux)
|
full score
|
5
|
no
|
1 copy
|
|
|
|
|
112
|
Jesus, Even the Thought of You
|
DePue, 1983
|
*SATB and organ
|
full score
|
|
no
|
2 copies (1 in orig. manuscript)
|
Tom and Sarah Witzel
|
*Instrumental or val Obligato and organ are optional*
|
|
|
113
|
Jesus, Keep Me Near the Cross
|
William Doane/Arr. W. DePue
|
Ch. Music (Violin and Flute)
|
part: combined one page
|
1
|
yes
|
1 copy in original manuscript
|
|
|
|
|
114
|
The J.J. Burlesque
|
W. DePue
|
Large Work: Orchestra
|
Full Score
|
40
|
no
|
1 copy of score
|
|
|
Misfit page of Burlesque for Violin and Orch redux. included in set
|
6:07
|
115
|
Just As I Am
|
Wm. Bradbury, Charlotte Elliott, 1836/Arr. W. DePue. Picardie, 2002
|
SATB and piano
|
Full Score
|
5
|
no
|
2 copies of score: Original manuscript and published copy
|
|
Copy of score has editorial makrings included
|
CP-83
|
4:15
|
116
|
Kallman
|
DePue
|
Voice and piano
|
Full Score
|
2
|
no
|
1 copy of score (Original manuscipt)
|
|
|
|
|
117
|
The Little Bulldozer (from the Wonderful Witch of Oz)
|
Picardie, 1997
|
One Piano, four hands, or an appropriate instrument
|
Full score
|
3
|
no
|
1 copy
|
Frances Burnett
|
|
|
|
118
|
Little Lamb
|
DePue, 1963
|
For Voice and Piano
|
Full score
|
3
|
no
|
1 copy on vellum-like paper
|
Armando Rivas
|
Text: William Blake
|
|
|
119
|
The Little People's Opera (Freddy and Fredena)
|
DePue
|
Mini-Opera?
|
Original Manuscript: Piano/Vocal Score and Monologue
|
|
|
1 copy with markings
|
|
|
|
|
120
|
Lost
|
DePue
|
*For Tenor and piano
|
Full score
|
7
|
no
|
2 copies (1 original manuscript)
|
|
Stacey Mathey
|
*Program notes and lyrics sheet with pencil markings from the composer in set
|
|
121
|
Last Slumber
|
DePue
|
SATB and piano
|
Full score
|
6
|
no
|
1 copy on vellum-like paper
|
|
|
|
|
122
|
"The Legend"
|
DePue
|
male chorus (TBB) a capella
|
Full Score
|
8
|
no
|
1 bound copy of score
|
Loren Jones
|
|
|
|
123
|
Lullaby
|
*Pub. Domain/Arr. W. De Pue, 1977
|
SATB Chorus
|
Full Score
|
|
no
|
4 copies of score, 1 in manuscript
|
Alexander Paul
|
*Part B based on Hymn Tune titled, "Follow On" by Robert Lowry
|
editorial markings included on some copies
|
|
124
|
The Maid with the Rose
|
W. DePue
|
Solo Voice and piano
|
Full score
|
3
|
no
|
1 copy in original manuscript
|
|
|
|
|
125
|
The Man of God
|
*John Jorn/arr. W. DePue/unknown, Picardie 1996
|
Bass solo, SATB and piano
|
Full score
|
8
|
no
|
5 copies (2 bound), 1 on vellum-like paper, 2 other copies
|
Ellis E. Snyder, Chapel Choir, Capital University
|
Selected text from The Bible, work based on a theme by John Jorn
|
|
|
126
|
The Manger Scene
|
DePue
|
Solo Baritone and SATB Chorus
|
Full Score
|
|
no
|
2 copies of score, 1 in manuscript
|
|
Short correspondence is included in set
|
|
|
127
|
The March of Life
|
DePue 1990
|
For 2 Voices, Percussion and Piano
|
4 scores and 1 set of parts
|
|
yes
|
4 copies
|
|
|
|
|
128
|
The March of Time
|
Marching Song/Arr. DePue
|
2 Voices and Piano
|
1 original manuscript score
|
|
no
|
original manuscript
|
|
|
|
|
129
|
"Merry Christmas Time Is Come!"
|
Picardie, 1998
|
SATB (organ or piano)
|
Full Score
|
5
|
no
|
1 copy of score
|
|
|
|
|
130
|
The Merry Swiss Miss Polka
|
DePue, 1994
|
Voice and piano
|
Full Score
|
8
|
no
|
2 copies of score (1 with edits)
|
The Polka Motion Band
|
|
|
|
131
|
Miss Mary Tolbert, a God-send
|
DePue?
|
Monologue?
|
1 copy with editorial markings
|
|
no
|
Monologue? Editorial comments included
|
|
|
|
|
132
|
The Mocking Bird
|
Folksong/Arr. W. DePue, Picardie, 1998
|
Select Voices or fidder and SSA (piano redux)
|
Full Score
|
15
|
no
|
2 published copies (edits included on copies)
|
Nick Mileti
|
Richard Milburn, 1855
|
PC-11
|
|
133
|
A Musical Play (R. Rogers, O. Hammerstein, and L. Riggs)
|
DePue, 1991?
|
Play
|
1 p/v score and 1 full score reduced
|
|
no
|
|
|
performance program attached
|
|
|
134
|
My Lady
|
Picardie, 2002
|
TTB or TBB voices a capella
|
1 score
|
|
no
|
1 clean score in cardboard
|
|
Song: Anon.
|
|
|
135
|
My O, My Ohio!
|
Picardie, 2003 (Two versions)
|
Sop, Alto or Tenor Voice and Piano or SATB and Piano
|
1 score FOR EACH VERSION with original markings
|
|
no
|
1 score with markings of each version
|
Song for the 2003 Ohio Bicentennial
|
Edited by William Schwepe
|
|
|
136
|
Neighborhood Scenes
|
W. DePue (Jr.?)
|
String Ensemble (Quintet?) and Male Singers (Tenor 1, 2 Baritone and Bass)
|
Condensed Score and parts in manuscript
|
8
|
yes
|
1 score, and set of parts
|
|
|
|
|
137
|
Nom Val Aqua Frottola
|
W. DePue
|
SATB
|
Full Score
|
2
|
no
|
1 copy of score on vellum-like paper (fragile)
|
|
|
|
|
138
|
The Mobile
|
Picardie, 1999
|
For 12 voices in any combination sand foot stomping
|
Full score and performance notes
|
6
|
no
|
6 copies (1 on manuscript)
|
|
|
|
|
139
|
March and Conflict
|
DePue
|
Full Orchestra
|
Full Score and parts
|
|
yes
|
2 copies of score (1 in original manuscript), 1 full set of parts, and some excerpts included
|
Dr. Jeffrey Levin
|
|
|
|
140
|
Melody for Trumpets
|
DePue, 12/7/1956
|
Chamber Music (For 2 Cornets)
|
Full Score and Parts
|
6
|
yes
|
1 Full Score and parts in original manuscipt
|
|
|
|
|
141
|
"O Jesus, I Have Promised" (Arthur Mann) and"I Need Thee Every Hour" (Robert Lowry)
|
Arr. W. DePue, 1992
|
SATB and Obbligato?
|
part
|
1
|
yes
|
Flute Obbligato part only
|
|
|
|
|
142
|
O Magnum Mysterium
|
DePue 1992, Picardie 2000
|
Double TTBB Men's Chorus
|
2 scores. 1 with original markings
|
|
no
|
scores contain markings
|
Samuel and Jean Larkin
|
Edited by William Schwepe
|
PC-50
|
2:45
|
143
|
"O Worship the King"
|
From Psalm 104/arr. W. DePue
|
SATB and Organ
|
Full Score
|
6
|
no
|
1 Full Score
|
|
copy of Psalm 104 attached to score
|
|
|
144
|
"O, Sing Unto the Lord!"
|
Holy Bible/Picardie, 1998
|
Mixed Chorus (SATBB) and piano (reh)
|
full score
|
6
|
no
|
|
|
|
|
|
145
|
An Old-Fashioned (Country kind) of Christmas
|
Picardie, 1996
|
*Ch. Music: 2 voices and violin (or, another treble instument)
|
full score
|
3
|
no
|
1 full score only
|
|
*A jug accomp. that occurs on the beat may be joined by a washboard playing off the beat during the whole performance.
|
|
|
146
|
On the Lake Made of Mirror…
|
W. DePue, 1980
|
Ch. Music: Violin (or, Flute) Voice and Piano (or, Harpsichord)
|
full score
|
13
|
no
|
1 full score
|
Gene Dybdahl
|
Text: Julie Dybdahl
|
|
|
147
|
One
|
DePue
|
SATB
|
Condensed Score and parts
|
3
|
no
|
1 condensed score (in original manuscript)
|
|
Email coorespondence attached
|
|
|
148
|
One, for the Little Bitty Baby!
|
Jubilee/arr. W. DePue Picardie 2000
|
SATB and opt piano (12 selected voices)
|
2 (1 original)
|
|
no
|
2 original clean copies in cardboard
|
|
|
PC-35
|
|
149
|
One Hand, One Heart
|
DePue
|
??? Unknown
|
Full Score
|
3
|
no
|
1 Full Score in original manuscript
|
|
|
|
|
150
|
One Little Light
|
Picardie, 2000
|
SA Children's voices, and SATB humming chorus, and instruments
|
Full Score
|
|
no
|
5 copies of score (1 in manuscript)
|
|
Edited: William P. Schwepe
|
|
1:35
|
151
|
The Only Bloomin' Woman in the Navy
|
DePue
|
Voice
|
Full Score?
|
4
|
no
|
1 copy of score/part
|
|
|
|
|
152
|
Open Your Eyes!
|
DePue? Date: 8/17/2002
|
sketch: for voice?
|
1 page (mauscript)
|
|
no
|
1 oringal sketch in manuscript
|
|
|
|
|
153
|
An Orchestral Passacaglia
|
Picardie, 2006
|
Full Orchestra
|
Full Score
|
27
|
no
|
2 full scores
|
|
|
|
5:51
|
154
|
Panis Angelicus
|
C. Frank/Priceless Pub, 1994. Arr. W DePue
|
Ch. Music: 4 Violins
|
*part
|
1
|
yes
|
**Only Violin 3 part is in set. Violin 1, 2 and 4 are missing.
|
Edward and Ruth Goodman
|
|
|
|
155
|
Passacaglia for Orchestra
|
DePue
|
Full Orchestra
|
full score
|
28
|
no
|
2 bound copies of full score
|
|
|
|
11:00 (per, composer)
|
156
|
A Pentagram Dancing
|
Picardie, 2000
|
Solo Violin and piano
|
Full score and part
|
|
yes
|
4 copies of full score (1 in original manuscript) and 2 copies of violin part
|
Dr. Paul Makera
|
|
|
5:10
|
157
|
"Please, Mr. Columbus Turn the Ship Around!"
|
Ray Allan, Sam Saltzbery and Wandra Merrell (Romance Music & Ding Dong Music, 1962, renewals in 1990 and 1999)/Arr. W.DePue (Picardie, 1999)
|
Tenor, Bass SATB and piano
|
Score
|
15
|
no
|
Multiple originals, and copies of scores (see collection)
|
The Ohio Youth Choir, Charles Shyder, Director
|
Letters of Coorespondence enclosed
|
|
3:42
|
158
|
A Poeme
|
DePue, 10/18/56, 1993
|
High Voice (Soprano, or Tenor)and piano
|
score
|
|
no
|
2 copies, one in original manuscript
|
Lori Hagerman
|
Poet: Unknown
|
|
|
159
|
Poole's Lament (from Dr. Jekyll and Mr. Hyde)
|
Picardie, 1998
|
Solo Tenor and piano
|
Full score
|
|
no
|
2 scores (1 in original manuscript)
|
|
|
|
|
160
|
Potpouri: An Etude for Composition
|
DePue
|
Solo Piano
|
part
|
|
yes
|
6 copies (1 on manuscript)
|
|
2 letters of coorespondence
|
|
|
161
|
A Prayer to the Muse
|
The Falcon/arr. DePue
|
2 Voices and Piano
|
2 (1 with markings, 1 original manuscript)
|
|
no
|
1 original manuscript and 1 copy with markings
|
|
Vocal 2 part (optional)
|
|
2:00
|
162
|
Prelude
|
DePue, 1988
|
Solo Piano
|
part
|
2
|
yes
|
1 copy of part
|
Joe and Jerry Hunn?
|
|
|
|
163
|
Prelude and A Dorian Dance
|
DePue
|
Full Orchestra
|
full score and parts
|
|
yes
|
*1 oversized score and full set of parts, 1 small score, 1 set of string of parts
|
Michael Miller and The Toledo Youth Orchestra
|
Program Notes and Letter of Coorespondence
|
|
|
164
|
Prelude and An Etude for Large Hands
|
DePue: 10/28/54
|
Solo Piano
|
part
|
3
|
yes
|
1 part (Original manuscript)
|
|
|
|
|
165
|
Prelude and Sarabande for String Orchestra
|
Picardie, 1996
|
String Orchestra
|
score and parts
|
|
yes
|
1 copy of score, and 3 sets of parts (originals and some manuscript parts included)
|
Cathy McCambridge
|
|
|
|
166
|
Presents
|
DePue
|
Voice and piano
|
full score
|
4
|
no
|
full score in original manuscript
|
|
|
|
|
167
|
Psalm One
|
DePue
|
Mixed Chorus (SATB) and Organ
|
full score and parts
|
|
yes
|
1 Full Score, and 1 set of percussion parts in original manuscript notation
|
|
Edited by I.T.
|
|
|
168
|
Psalm 90 "Domaine Refugiur", Lord Thou Hast Been Our Refuge
|
Picardie, 1997
|
SATB and Viola
|
full score and parts
|
|
yes
|
Full scores (2 manuscript, 2 bound copies, other multiple copies
|
Dr. Floyd Faust
|
|
|
|
169
|
Psalm 90 "Our Refuge"
|
Picardie, 1997, 1999
|
SATB and Viola
|
Conductor Score, Choral Score and Viola part
|
|
yes
|
4 full scores, 4 Viola parts, and 3 choral scores
|
Dr. Floyd Faust
|
|
|
|
170
|
Psalm 95, "O, Come Let Us Sing Unto the Lord!"
|
Picardie, 2000
|
SATB with optional piano or organ
|
full score
|
|
|
3 Full scores, 1 in manuscript copy
|
Ted and Claudia Kallman
|
Edited: William P. Schwepe
|
|
|
171
|
Psalm 130, "Out of The Depths"
|
1989, Picardie, 1996
|
SATB and piano (reh)
|
full score
|
|
no
|
5 Full scores, 2 in original manuscript, 2 published (old), 1 published (new)
|
Dr. Samuel D. Edelman
|
Program Notes and editorial markings on scores included
|
|
`
|
172
|
Psalm 145
|
|
Voice and piano?
|
Excerpt only
|
1
|
no
|
excerpt in original manuscript
|
|
|
|
|
173
|
Psalm 146
|
DePue
|
Three Voices
|
score
|
1
|
no
|
1 copy of score/part
|
Robert and Emily Guion
|
|
General or Thanksgiving
|
|
174
|
Psalm 147
|
DePue
|
Voice and piano?
|
Excerpt only
|
1
|
no
|
1 excerpt in original manuscript
|
|
|
|
|
175
|
Psalm 149
|
DePue, 1987, Picardie, 1999
|
Three Voices
|
Scores
|
|
no
|
2 scores
|
Howard and Bunny Brown
|
|
All Saints Day
|
0:37
|
176
|
Psalm 150, "Praise Ye The Lord", "Alleuia"
|
Louis Lewandowski/Arr. W. DePue, Picardie, 2003
|
TTBB and Organ
|
Scores
|
|
no
|
6 scores, 1 in original manuscript
|
|
|
Lewandowski Version of Arrangement enclosed in set
|
|
177
|
Quiet Waters
|
DePue
|
SSATB
|
Score
|
3
|
no
|
1 score on vellum-like paper
|
|
Text: Blanche Shoemaker-Wagstaff
|
|
|
178
|
Red Cloud's Indian Prayer
|
Picardie, 1999
|
Recorder (flute), SATB, pno (redux) rattles and bass drum
|
Full score
|
8
|
yes
|
Full scores: 1 in manuscript, 7 copies instrumental parts included
|
Richard D. Mathey
|
Poet: Red Cloud/Red Cloud's Prayer
|
|
3:45
|
179
|
Reilly's Daughter
|
An Old irish Ballad/Arr. W. DePue, Picardie 1995
|
TTB (or, TBB) and piano
|
full score
|
10
|
no
|
7 copies of score. *Bass drum (see in additonal notes)
|
"Poor Kitty's Almanac," Hayfork, CA
|
|
*Note in score by composer: Consider improvising on a bass drum
|
3:00
|
180
|
Rejoice in the Lord
|
DePue, Picardie 1998
|
SAT or B (organ or piano)
|
full score
|
|
no
|
multiple copies, 1 in original manusript and vellum-like paper
|
First Methodist Church Choir and Dr. William S. Bailey
|
|
|
1:30
|
181
|
Rejoice This Day
|
DePue
|
SATBB and *piano part (reh)
|
score
|
6
|
no
|
*Piano part is separate from vocal score. 3 copies of each.
|
Robert jennings
|
Text: Francis Kindlemarsh
|
|
|
182
|
Rhapsodie of Evil Overture from Dr. Jekyll and Mr. Hyde
|
DePue
|
Piano Score
|
1 part (original manuscript)
|
9
|
yes
|
Specific musical notation (12 tone notes) on back of pg 9 by composer
|
|
2014 Award Recognition: Honorable Mention (See Honors and Awards)
|
|
|
183
|
The Rhythm Clock
|
DePue
|
SATB
|
score
|
5
|
no
|
1 copy of score
|
Jeanne Momenee
|
|
|
|
184
|
Ride the Chariot (tag)
|
Jubilee/Arr. R. Boughman, trans. W De.Pue, 1989
|
SATB and piano (reh)
|
full score
|
|
no
|
4 copies of score
|
|
|
|
|
185
|
La Ronde Des Lutins
|
Antonio Bozzini (1818-1897) Op. 25/Arr. We. DePue
|
Solo Violin and Strings
|
parts
|
|
yes
|
2 copies of Solo part, and 1 set of string parts
|
|
|
|
|
186
|
The Rustler's Daughter (An Opera in 1/32 of an Act)
|
Picardie, 2002
|
TTBB, Violin (or, piano) and Narrator
|
full score and 1 part
|
|
no
|
4 scores (1 published original) markings included
|
|
Choral Editor: William P. Schwepe
|
|
3:10
|
187
|
Sasquatch on Tour for Orchestra
|
Picardie, 1997
|
Full Orchestra
|
full score and set of parts
|
33, 37
|
yes
|
2 full scores (one edited, one clean) 1 set of parts in bound score
|
Jeffrey Levin
|
|
|
4:30
|
188
|
Saul
|
DePue
|
High Voice and piano
|
full score
|
7
|
no
|
1 copy of score (Original manuscipt)
|
|
|
|
|
189
|
Savior
|
DePue, 1978
|
High Voice and piano
|
full score
|
1
|
no
|
2 copies of score/part
|
Vincent Corrigan and Family
|
Program Notes included on scores. Also, handwritten notes/directions from the composer.
|
|
|
190
|
Secretary's Song
|
DePue
|
Voice (A lot, ro Tenor?) and piano
|
full score
|
4
|
no
|
1 copy of in original manuscript with edits from the composer.
|
|
|
|
|
191
|
Senior Citizens, USA
|
Herb Kallman/Arr. W. DePue, 1975
|
SATB and piano (reh)
|
full score
|
2
|
no
|
3 copies of score (one in original mauscript)
|
Dedicated to American Senior Citizens for America's Bicentennial 1976
|
Letter of coorespondence from publisher (Neil Kjos).
|
Words and music by Herb Kallman. Reference of an arrangement score done by Dan Friberg included in this set.
|
|
192
|
The Sensible Bird
|
DePue
|
SATB and Organ (or piano)
|
1 score (clean in cardboard)
|
48
|
no
|
|
Paul Stanbeny and The Hamiliton Symphony and Chorus
|
|
|
|
193
|
Separation
|
W. DePue, 1973
|
SATB div. a cappella and piano (reh only)
|
full score
|
7
|
no
|
1 copy of orig. manuscript included. Copies of score on overhead material for study purposes.
|
Sidney B. Johnson
|
program notes from composer included
|
|
|
194
|
Serenade
|
DePue, 1979
|
Violin and Piano
|
1 score
|
|
no
|
1 copy with markings
|
Edward and Rene Goodman Wedding
|
|
|
|
195
|
*Seranade: For Violin and Wind Ensemble (From Legacy Concerto)
|
DePue, 1979, Picardie 2000, 2008
|
*full orchestra. *Violin and piano version also included in set*
|
full score and parts (2 violin parts) Also one piano score with original markings
|
|
yes
|
2 Orch scores, 1 Violin/piano score
|
Edward and Noreen Goodman
|
Program notes and Monologue (3 copies) included
|
|
3:30
|
196
|
Sicilienne (In the style of Francoeur)
|
F. Kreisler (Arr. W. DePue), 1994
|
Ch. Music: For 3 Violins
|
1 score and 1 set of parts
|
|
yes
|
|
|
|
|
|
197
|
The Sigma Phi Nothing Song
|
W. DePue, 1988
|
voice and piano
|
lead sheet
|
1
|
no
|
1 copy
|
|
|
|
|
198
|
Silver Bells
|
W. DePue, 1962
|
SSAATTBB and piano (reh)
|
full score
|
|
no
|
5 full scores
|
|
Text by Edgar Allan Poe
|
|
|
199
|
Sleep, Holy Babe
|
DePue
|
SATB
|
full score
|
|
no
|
2 copies (1 in original manuscript)
|
|
Text: Edward Caswell
|
|
|
200
|
Soli Deo Gloria (to The Glory of God)
|
DePue 1989, Picardie 1998
|
SATB
|
full score
|
|
no
|
7 scores in total
|
Capital Univ. Chapel Choir
|
Program Notes and Letter of Coorespondence included
|
|
|
201
|
Something Special
|
DePue, 1975
|
Opera: For Barbershop chorus and quartets
|
full score and libretto
|
|
no
|
1 full score and libretto included
|
In honor of The American Bicentennial, and Dedicated to The Maumee Valley Seaway Commanders Chorus
|
|
|
|
202
|
Sonata Lycanthrope
|
DePue, Picardie 2000
|
Solo piano
|
part
|
|
yes
|
4 copies of part
|
Gregory Kosteck
|
Timings of each mvt. Inlcuded in parts
|
|
|
203
|
Sonatina for Solo Piano
|
DePue, 1994
|
Solo Piano
|
part
|
2
|
yes
|
1 copy of part
|
|
|
|
|
204
|
A Song of Faith (Praise)
|
Psalm 25/W. DePue 1974, 1989
|
For Tenor, Bass and Organ
|
full score
|
|
no
|
4 copies of score (2 in original manuscript)
|
Mr. and Mrs. Andrew Kallman
|
Text taken from The Holy Bible
|
|
|
205
|
A Song of Love
|
W. DePue
|
High Voice and piano
|
score
|
|
no
|
1 copy in original manuscript
|
|
Text: Lord Byron
|
|
|
206
|
Statement of Faith
|
W. DePue, 1974
|
SATB and Organ
|
full score
|
12
|
no
|
3 copies (1 in original manuscript)
|
Park Congregational Hurch Choir, Toledo, OH. Oliver Chamberlain, Director
|
Program Notes included
|
|
|
207
|
Tears
|
W. DePue
|
SSATB
|
score
|
1
|
no
|
1 copy of score on vellum-like paper (fragile)
|
|
text: Alfred Lord Tennyson
|
|
|
208
|
Telugu Song (leader with unison voices)
|
Indian Melody/Arr. DePue
|
Song Leader and unison voices a cappella in Telugu, or in English
|
score
|
|
no
|
2 copies
|
|
|
|
|
209
|
Tractor Pull
|
DePue, 1995
|
Solo Voice and piano
|
score
|
|
no
|
2 copies of score (1 in original manuscript)
|
To The National Tractor Pull Assoc.
|
Copy of original lyrics on paper provided by composer
|
|
|
210
|
Traumerei
|
R. Schumann/Arr. W. DePue
|
Clarinet Choir
|
full score only
|
|
no
|
1 copy of score in original manuscript
|
|
|
|
|
211
|
Three Biblical Psalms
|
Psalm 143, 146, 149/W. DePue, Picardie 1999
|
For 3 voices
|
score
|
|
no
|
1 published score (copy)
|
Mary Fuelber
|
Holy Bible
|
|
timings for each mvt included in score
|
212
|
Three Organ Preludes
|
DePue, 1985
|
Solo Organ
|
part
|
5
|
yes
|
1 copy of part
|
|
|
|
|
213
|
Three Part Invention in E Major for keyboard
|
DePue
|
keyboard/piano
|
part
|
1
|
no
|
original manuscript part (oversized)
|
|
|
|
|
214
|
Three Part Invention in G minor
|
DePue
|
keyboard/piano
|
part
|
1
|
no
|
original manuscript part (oversized)
|
|
|
|
|
215
|
Three Songs of Separation: Over Yondro, Mr. Rabbit, Johnny has gone for a Soldier
|
Folksongs/Arr. Wllace DePue 1989, Picardie
|
Baritone Voice and Piano Accomp.
|
score
|
*1
|
no
|
1 full set of scores for song cycle, 1 extra score of song No. 3
|
Paul Sahuc
|
Folk Songs
|
|
program notes included in score
|
216
|
Trilogy (God is Light)
|
DePue
|
SATB a capella (piano, reh)
|
score
|
*8
|
no
|
7 sets, 1 set on vellum-like paper
|
R.S.
|
The Holy Bible
|
God is Light, God is Love, God is Power
|
5:00
|
217
|
Trilogy (God is Light)
|
Picardie Court, 1999
|
SATB a capella (piano, reh)
|
score
|
1
|
no
|
1 set
|
|
The Holy Bible
|
Catalogue# PC-22: God is Light, God is Love, God is Power
|
3:30
|
218
|
Trio
|
DePue
|
Ch. Music: Violin, Viola and VC
|
score
|
1
|
no
|
original manuscript score: 3 pages (unfinished?)
|
|
|
|
|
219
|
The True Story of the Three Little Pigs
|
W. DePue, 2002
|
Small Cast and Piano
|
2 in total: 1 bound score with markings and 1 copy score in sections
|
|
|
|
|
Note on cover of bound score: Xmas song lyrics
|
|
|
220
|
Two Part Invention in C Major
|
DePue
|
Solo Piano
|
part
|
1
|
no
|
original manuscript part
|
|
|
|
|
221
|
Two Part Invention in G Major
|
DePue
|
Solo Piano
|
part
|
1
|
no
|
original manuscript part (oversize)
|
|
|
|
|
222
|
Variations for Harpsichord
|
DePue, 1982
|
Solo Harpsichord
|
part
|
1
|
no
|
1 bound part w/markings
|
|
|
|
|
223
|
Variations Corriganesques for Piano
|
W. DePue, 1982
|
Piano
|
1 part (original working set) in plastic
|
10
|
|
2 original manuscript scores (1 short, 2 long)
|
|
Specific notes and performing codes included by composer
|
|
|
224
|
Variations on a Russian Theme
|
American Composers Edition, Inc (Facsimile Ed.)
|
Solo Piano
|
part
|
1
|
no
|
1 bound part
|
Owen Jorgensen
|
|
|
|
225
|
Velvet
|
DePue: Oct. 12, 1956
|
Solo Piano
|
part
|
1
|
no
|
original manuscipt part
|
|
|
|
|
226
|
The Vision of Daniel
|
DePue
|
SATB a capella (piano, reh)
|
score
|
|
no
|
many copies of score. Some markings in scores.
|
|
|
|
|
227
|
University High School Alma Mater
|
DePue
|
Mixed Voices
|
score
|
|
no
|
1 copy of score
|
|
|
|
|
228
|
Waiting for Christmas
|
DePue
|
Voice and Piano
|
score
|
|
no
|
1 copy w/markings
|
|
|
|
55 seconds
|
229
|
Water Boy
|
Avery Robinson (arr. DePue) 1987
|
Solo Baritone, TTBB and Piano
|
score
|
|
no
|
1 copy
|
Elouise Walker
|
|
|
|
230
|
The Watermelon Man
|
DePue
|
SATB, piano and narration
|
score
|
|
no
|
1 copy
|
Neil Kjos Jr.
|
|
Narration and piano is optional
|
|
231
|
We All Believe (In One True God)
|
DePue, Picardie Court, 2002
|
SATB/organ
|
score
|
|
no
|
2 scores: 1original manuscript w/sketches and 1 copy with markings (Picardie)
|
|
Text by Martin Luther, Music: Wallace DePue
|
PC-84, Edited by William P. Schwepe
|
4:30, 4:50
|
232
|
We Are One (America's Day of Wrath)
|
Picardie Court, 2002
|
SATB (piano redux)
|
score
|
|
no
|
2 copies of score (edits included)
|
|
Based on Dies Irae/Poet: unknown
|
Catalogue# PC-69, Edited by William Schwepe
|
2:50
|
233
|
What Do I Mean When I…
|
DePue, 1976
|
Voice (A Round)
|
score
|
|
no
|
1 copy
|
Those Who Love to be a Round
|
|
|
|
234
|
When Christmas Comes Too Early
|
W. DePue, 1992
|
For voice and any appropriate instruments
|
1 score with original markings
|
2
|
no
|
Instruments scored in version: Flute and B flat Clarinet
|
|
|
|
|
235
|
When It's Christmas Time
|
DePue
|
4 Violins and Voice
|
score
|
|
no
|
original manuscript score
|
|
|
|
|
236
|
When It's Christmas Time
|
DePue
|
Obligato, Voice and Continuo
|
score
|
|
no
|
original manuscript
|
|
|
|
|
237
|
When It's Christmas Time
|
DePue, 1990
|
Soprano, Tenor and Bass
|
score
|
|
no
|
1 score, 1 copy w/markings
|
The McFauls
|
|
|
|
238
|
When It's Christmas Time
|
DePue, 1993
|
Voice and Piano
|
score
|
|
no
|
1 copy w/markings
|
Kenneth Wendrich
|
|
|
|
239
|
When We Stay Late
|
DePue, 1994
|
Tenor and Bass
|
score
|
|
no
|
with markings
|
Karen Shell
|
|
|
|
240
|
The Winter Rose
|
DePue
|
SATB
|
score
|
|
no
|
1 score with markings
|
|
|
|
|
241
|
The Winter Rose
|
Picardie Court, 2001
|
SATB and piano (optional)
|
score
|
|
no
|
2 copies of score with markings
|
St. Petri Church Lutheran Church, Toledo, OH, Ann Doerfler, Director
|
|
Cat# PC-67, Edited by William Schwepe
|
2:18
|
242
|
With Findley, Bachmann and Palin
|
DePue
|
Voice, Bb instruments and piano (optional)
|
score
|
|
no
|
1 original, 1 copy with markings
|
|
|
Editorial instructions when specific instumentation is used (or, not) included on score.
|
|
243
|
WOOF! (to kids of all ages)
|
Picardie Court, 1999
|
Voice (Children's Chorus)
|
score
|
|
no
|
|
|
|
|
|
244
|
The Whale Race: Sound Composition
|
DePue
|
For Precussion: sound composition
|
2 original scores (long score and alt. shorter score) original manuscript w notes
|
|
yes
|
percussion
|
|
Code for Whale Race sounds included w/part
|
|
|
245
|
The Words of Saint Francis
|
DePue
|
For High Voice and Piano (keyboard)
|
1 part with markings in keyboard part
|
2
|
|
|
|
|
|
|
246
|
Wouldn't You Like To?
|
DePue, 1988
|
Mixed Chorus (Treble Voices and Men)
|
score
|
|
no
|
3 copies (analysis of work and written notes on paper included)
|
|
|
|
|
247
|
Ye Watchers and Ye Holy Ones
|
DePue
|
SATB and piano (reh)
|
score
|
|
no
|
copy and original manuscript (includes sketches and markings)
|
|
|
|
|
248
|
Ye Watchers and Ye Holy Ones
|
Picardie Court, 1999 Adaption by Athstan Riley, 1906 (arr. W. DePue)
|
SSAATTBB and piano (reh)
|
score
|
|
1
|
1 copy
|
|
Text by Issac Watts (1719) based on Psalm 117
|
Cat# PC-31 *see additional musical notes on score
|
2:45
|
249
|
Program
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Season Hamilton Fairfield Symphony Orchestra: American Masters Concert: Music Composed by Wallace DePue March 5, 2006
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March 5: Serenade: Jason DePue, violin; Concerto for Percussion and Orchestra (World Premiere); "A Call from Home" Jason DePue, violin; The Bird, Frog and Tree Club (World Premiere) Alison Acord, soprano; "Gimme That Old Time Religion" arr. DePue
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program
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1
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250
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Programs
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Michigan Music Teachers Association: Piano Teachers Forum of Grand Rapids Local Artists Recital: Sunday October 12, 2008 8pm
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DePue: The Fiddler and the Dragon (Michigan Music Teachers Commissioned Composer Composition
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program
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1
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251
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Honors and Awards
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DePue
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Opera: Dr. Jekyll and Mr. Hyde
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2014 Boston International Contemporary Festival (Honorable Mention)
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252
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Honors and Awards
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DePue
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Opera: Something Special
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2014 Boston International Contemporary Festival (Recipient of the BMO Merit Award)
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253
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The David L. Belew American Masters Series: Series 5
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The music of Wallace DePue and other selected works
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Selected Works
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CD
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no
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1 copy
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Tri State Productions: Recorded on March 5, 2006
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2 disc set: liner notes included
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Performers: Alison Acord, soprano, John Lawson, tenor, Zachary dePue, violin, The Hamilton-Fairfield Symphony Orch and Chorale, The Great Miami Youth Symphony Orchestra, Paul Stanbery, Music Director and Conductor, The Winston Woods High School Varsity Ensemble, David M. Bell, Conductor, Robert M. Harrington, Associate Conductor
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